LIFE (1992) Five enameled pieces that have
to be installed randomly on the surface form the
basis of this work. It's a merging between a very
well known magazine brand and (Russian)
constructivists approach to life. Both are
constructs off course but the merging opens a kind
of in-between the artistic and mass medial gesture,
leaving the distinction between 'real' and
'fiction' undecidable.
The random order depends on the given space on a
wall. The highly industrialized technique is meant
to reduce the artistic 'watermark' by its
predesignated materiality through the use of
traditional
Specifications:
Dimensions: 0.50m by 0.85m. Material: 5 x enameled
stainless steel .
Exhibited: Museum Valkhof, Nijmegen, (1992), Arnhem Museum of Modern Art, Arnhem, Holland, (1993),
Exhibited: Museum Valkhof, Nijmegen, (1992), Arnhem Museum of Modern Art, Arnhem, Holland, (1993),
